This is How You Lose the Time War

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Amal El-Mohtar, Max Gladstone: This is How You Lose the Time War (Paperback, 2019, Jo Fletcher Books)

paperback, 208 pages

Published July 18, 2019 by Jo Fletcher Books.

ISBN:
978-1-5294-0523-1
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4 stars (11 reviews)

Two time-traveling agents from warring futures, working their way through the past, begin to exchange letters—and fall in love in this thrilling and romantic book from award-winning authors Amal El-Mohtar and Max Gladstone.

In the ashes of a dying world, Red finds a letter marked “Burn before reading. Signed, Blue.”

So begins an unlikely correspondence between two rival agents in a war that stretches through the vast reaches of time and space.

Red belongs to the Agency, a post-singularity technotopia. Blue belongs to Garden, a single vast consciousness embedded in all organic matter. Their pasts are bloody and their futures mutually exclusive. They have nothing in common—save that they’re the best, and they’re alone.

Now what began as a battlefield boast grows into a dangerous game, one both Red and Blue are determined to win. Because winning’s what you do in war. Isn’t it?

A tour de force collaboration from …

5 editions

Cute romance with a disappointing sci-fi setting.

3 stars

Amal El-Mothar and Max Gladsonte's "This is How You Lose the Time War" follows two agents, Red and Blue, on opposite sides of a war that spans all of time and (some of?) space across multiple universes.

Each chapter starts with a snapshot of what each agent is doing to advance their side's cause, whether that's taking part in major historical events or planting the seeds for 'coincidences' in the future, and ends with the discovery of a letter from their counterpart. What begins as acknowledgements of respect, nods across the battlefield, gradually grow into something more.

Fans of science fiction may be disappointed by the lack of focus on the time-traveling, universe-hopping backdrop to this story of star-crossing lovers. Details are sparse, and little is disclosed about the factions or why they are at war other than hints and impressions throughout the book.

The gradual, tip-toeing romance between Red …

Love letters meets time travel

3 stars

Worth reading but I wasn’t up on all the literary references as much as you need to be. The quality of the writing was obvious and superb, but, oddly for a novella, I felt it a little too long. I wanted the story to move on from the love letter correspondence between Red and Blue one or two letters earlier. The immersion that was achieved for the diverse locations with such brief descriptions was my highlight. There’s a mystery character appearing at the end of each letter, and although readers (esp. any fantasy/SF reader) would spot who that is, when we actually meet them, for the end game, I got more into the romance of it.

Either too short, or too long.

No rating

I can't decide if this would have worked better (for me) as a short story, or a full length book. If it was longer, it could have expanded on it's ideas. If it had been shorter, it wouldn't have felt so repetetive.

There is some good ideas here, but they deserve better than being hand waved away. How do Red and Blue target their letters to each other across strands of time? If there are certain contested junctures in time, shouldn't they be swarmed with agents, and multiple aspects of the same agents? If the protagonists are just cogs in two massive opposing machines battling for supremacy over all time - why does it seems like they are the only two operators in the field?

I'm not saying this is a bad book, there is a lot good writing here. But it didn't work for me. Two highly subjective stars. …

a teapot in a tempest

5 stars

"This is How You Lose the Time War" asks the reader to perch on the shoulders of two operatives on opposing sides of a time-traveling war.

Each chapter follows "Red" or "Blue" as they scurry up and down timelines and across dimensions. The book is both sweepingly broad and extremely contained and personal.

The settings flit by, dizzying: a temple for mechanized humans, an ancient holy cave, the assassination of Caesar - each sketched with broad, emotional strokes to give the setting an aesthetic. One gets the sense that a great web of cause and effect is being constantly constructed, altered, and destroyed, without ever seeing the full picture.

Against these backdrops, the characters "Red" and "Blue" write to each other - as nemeses, then as friends, ever deeper entangled even as they demolish each other's plans and forces. The letters make up an enormous part of the experience, and …